![]() Vaguely, I recall text messages from Daya asking me to come over. Racking my brain, I try to think past the pain and remember what the fuck happened to me. And I may have fallen for a stalker, but I’ll be damned if I didn’t land a spot within heaven’s gates. God, is this what being alive feels like? It can’t be death. Then, the blissful numbness I awoke in crumbles, and I lose my breath when all-consuming pain filters in, engulfing my body in absolute agony. It takes a second to process that there’s a blindfold strapped around my head. Slowly cracking open my crusted eyes, I’m greeted by complete darkness. Adrenaline spikes, and just barely do I have enough sense to remain as quiet as possible. ![]() Those notes turn into a song full of screeching and loud noises, filling my body with heart-wrenching panic. I wish it were anything else because I'm instantly overwhelmed by the scent of body odor, spiced cologne, and what can only be described as the stench of evil incarnate.Īnd then my sixth sense seeps in, whispering notes of warning and urgency. Glimmer of Blooms- Can’t Get You Out of My Head If you are expecting a quick reunion, then this book isn’t for you. This book is significantly darker than the first. There is also graphic violence, sexual assault, explicit sexual situations, human trafficking, PTSD, and very particular kinks such as blood play, knife play, degradation, and somnophilia. Is that creative enough, ‘Zon? These scenes can be detailed, so please proceed with caution. This book contains very dark triggering situations, particularly a four letter one that starts with R and ends with E, though NOT between the main characters. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.īecause you really tried me on this one and I kicked your ass anyway.Īs some of you may know, the first book in this duet, Haunting Adeline, was banned due to the warnings. ![]() Names, characters, businesses, organizations, places, events and incidents either are the product of the author’s imagination or are used fictitiously. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews.
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